About Anthony Choy

Anthony Choy (b. 1995, Hong Kong) is a contemporary visual artist whose practice bridges structured spatial design and intuitive visual storytelling. Originally trained in architecture, interior design, and urban planning, Choy transitioned to fine art to explore the limits of spatial imagination. This background in structural design, combined with classical training in figurative and still-life drawing, provides a unique foundational tension in his work between controlled form and raw expression.

Choy's artistic evolution is marked by a shift away from calculated, step-by-step figurative replication toward a devotion to mark-making and improvisational processes. At the core of his current practice is automatic drawing—a method that allows subconscious impulses to dictate the initial marks on a surface. Through this fluid process, abstract lines spontaneously transform into complex, imaginary landscapes and enigmatic creatures.

Over time, this practice has expanded from capturing singular, isolated occurrences on canvas into an ambitious exercise in world-building and narrative creation. For Choy, a single 2D surface is no longer just a discrete artwork, but a window into an entire fictional universe. By scaling his drawings and paintings into a cohesive intellectual property (IP), the mythology he constructs continuously feeds back into his practice, inspiring new visual explorations and expanding the boundaries of his evolving world.

Choy's work has been featured in several exhibitions, including the HKAS HDFA Student Show (2023), 39/0 = undefined (2023), DOWNSIDE UP OUTSIDE IN (2024), Collision (2024), and the Comix Arts Fest (2025).

蔡思齊（Anthony Choy，1995年生於香港）是一位當代視覺藝術家，其創作實踐橫跨結構化的空間設計與直覺式的視覺敘事。蔡宇早年接受建築、室內設計及城市規劃的專業訓練，隨後轉向純藝術領域，以探索空間想像的邊界。這種結構設計背景，結合其在具象與靜物素描的古典訓練，為他的作品注入了一種獨特的底蘊 — 在嚴謹的形式控制與純粹的感性表達之間，拉扯出張力。

蔡思齊的藝術蛻變，體現於他逐漸告別精準、循序漸進的具象複製，轉而專注於痕跡創作（mark-making）與即興過程。他現時創作的核心為「自動寫生」（automatic drawing）— 一種讓潛意識主導畫面上初始線條的創作手法。透過這種流動的過程，抽象的線條自然演變為複雜的虛幻風景與神秘生物。

隨著時間推移，這種實踐已從捕捉畫布上的單一、孤立事件，擴展為一場宏大的世界觀建構（world-building）與敘事創作。對蔡宇而言，單一的二維表面不再只是獨立的作品，而是通往整個虛構宇宙的視窗。藉由將其素描與繪畫作品整合為一個兼具凝聚力的知識產權（IP），他所建構的神話體系不斷反哺其創作，激發出全新的視覺探索，並持續擴展他筆下那不斷演變的世界之邊界。

蔡思齊的作品曾於多個展覽中展出，包括：《香港藝術學院高級文憑畢業生作品展》（2023）、《39/0 = undefined》（2023）、《DOWNSIDE UP OUTSIDE IN》（2024）、《Collision》（2024）以及《香港漫畫藝術節》（2025）。